“FEATURING TENOR AARON SHEEHAN in an impeccable performance!”
— Denver Post 2013

“Aaron Sheehan sang the part of the Evangelist, and his performance was quite simply astounding!” — San Francisco Classical Voice 2013

“As Orfeo, Aaron Sheehan sang the role of a lifetime. Sheehan set a standard for exposed, emotional singing.”
— Berkshire Review 2012

“And most remarkable of all was tenor Aaron Sheehan, who made a moving Orpheus in the demanding title role. His long, quasi-aria plea to Charon had the evening's best trills and rapidly repeating trillos.” — Lloyd Schwartz 2012

“Stubbs and O'dette found in the young Aaron Sheehan an Actéon, who has a perfect command of the French baroque declamatory style and displays a top range which is light as feathers and pure of line.” — OpernWelt 2011

“Aaron Sheehan has a convincing vocal presence as a lusty young man.Aaron Sheehan, an unfailingly stylish tenor, proved a major asset, too, as Jupiter. His elegant embellishments in “Where’er you walk” were beautifully judged.”
— Baltimore Sun 2012

“Aaron Sheehan's attractive strong tenor and fluid acting style made him a sympathetic Acis.”
— New York Times April 2011

“Aaron Sheehan is a light tenor with a rounded, unforced tone that falls very easily on the ear.” — Gramophone March 2011

“Aaron Sheehan has a convincing vocal presence as a lusty young man.”
— International Record Review March 2011

Heartbreaker Aaron Sheehan, was stellar in the title role of…..Handel's Jeptha….In what is surely his most sophisticated and heroic performance.”
— Boston Phoenix March 2011

“Aaron Sheehan's youthful, high-tenor Actéon sounds sweeter and … virile.”
— The Classical Review Febuary 2011

“Aaron Sheehan…can be heard in his accustomed bright richness in Actéon…as always, high tessitura proves no problem, and the voice is seamlessly navigated at all times. — Fanfare March 2011

“As Actéon, Aaron Sheehan is utterly compelling, whether swooning over Teresa Wakim's imperious Diano or emitting disturbing howls during his metamorphosis. ”
— The Guardian January 2011

“AS ACIS, TENOR AARON SHEEHAN WAS SUPERB: his tone classy, clear, and refined, encompassing fluid lyricism and ringing force.” — Boston Globe Nov. 2009

“Aaron Sheehan and Zachary Wilder brought down the house with a crisp, zesty account of ‘Zefiro Torn,’…” — Allan Kozinn, New York Times Art Beat, June 2009

       “Polished, lovely tone of tenor Aaron Sheehan.”— Washington Post, Jan 2010 “
Tenor Aaron Sheehan performed the role of Evangelist, and sang with assured vocal and linguistic fluency, tasked with telling the audience the story while imparting its drama. In this regard, he was superb.” — Classicalvoice.org April 2009

                                      “Sinuous, and Supple”— Opera News
“Carolyn Sampson and Aaron Sheehan are exquisite as the lovers.”
— The Guardian, Sept. 2008

         “Aaron Sheehan made a fine impression with his bright, flexible tenor as Liberto.”
            — The Berkshire Review for the Arts, June 2009

“Tenor Aaron Sheehan stood quietly as he poured our poetic texts with lovely tone and sensitive nuance. Especially moving was his interpretation of Binshois' profound lament, Ay, doloureux…” — The Cleveland Plain Dealer

       “The indispensable early music tenor, Aaron Sheehan.”American Record Guide Dec. 2009
“Tenor Aaron Sheehan was ideal, clear and polished, elegantly declaiming the wide-ranging but dramatically restrained recitatives with quiet intensity.”
— Boston Globe May 2008

      “Among the soloists, Aaron Sheehan, as the Evangelist, had an unforced,
     personable sound, and managed the fiendishly difficult aria, ‘Frohe, Hirten,’ easily.”
       — Boston Globe Dec 2007

“Aaron Sheehan sang with vocal aplomb and musical charm.”
— Richard Dyer, Boston Globe

     “He boasts a handsome tenor and throws all his energy and all his gangly       
      limbs into the role of the love-struck youth.”— Baltimore City Paper, Jan 2007

“Nathalie Paulin, a soprano, and Aaron Sheehan, a tenor, who sang in ‘Armide’ and other works, were stong.” — New York Times, Oct 2006